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I have, on two occasions, actually tossed a book in the trash rather than have someone else stumble upon it. Arguably worse than physical mutilation and I consider myself a book lover.

And, for several others, I have physically cut out and disposed of offending chapters or introductions using the same physical technique as the article suggests. Deeply emotionally satisfying, and not an option available for DRM e-books, as far as I know. And again, a book lover.


I too have come across few things in my life that were so useless/junk as to wipe from the face of the earth. Few though.

> not an option available for DRM e-books

One such instance for me was a computer game. I uninstalled it and ensured the offending files were securely written over. Such things were possible with spinning rust storage.

Nowadays with solid state drives I don't know how to target my vindication to that degree.


Nothing discussed is addressing the true value of a university degree to those who are often the ones paying, i.e. wealthy parents. Universities provide those parents a socially acceptable strategy to get their pothead gamer sons out of their too-comfortable basement, and keep their silly daughters from getting pregnant by that cute lower-class clerk at the local WaWa. With a general bump in overall status for the family to boot. For those parents, universities are still a great value proposition.


That's a perspective I've not considered before and it makes sense!

“Today, many feel that these experimentations have led not only to a new way of writing and sounding, but also to listening. And this, to such an extreme that it sometimes left the audience behind.”

Hmm, music that takes refuge from its critics by claiming to be better than it sounds, and also claiming it’s the listener’s fault if they don’t get it (i.e. they just aren’t trying hard enough, blaming the customer). Must ask if the game was worth the candle at that point. Experiments? If so, then a very low-yield experimental program, given the listening public’s general disdain for the genres in 2026, after 50 or so years of due consideration.


Interesting to compare how the 2009-2014 PIIGS countries (Portugal, Spain, Greece, Ireland, Italy) are faring in 2026 by this measure. They look like they are doing much better than Germany, France, UK in 2026 by this measure.


When considering such foundational challenges to Mathematical Research and plagiarism as discussed here, we should turn to that elder prophet of our age, Tom Lehrer.

Who made me the genius I am today The mathematician that others all quote? Who's the professor that made me that way The greatest that ever got chalk on his coat?

[Chorus] One man deserves the credit One man deserves the blame And Nicolai Ivanovich Lobachevsky is his name Oy, Nicolai Ivanovich Lobach—

[Interlude] I am never forget the day I first meet the great Lobachevsky In one word he told me secret of success in mathematics: Plagiarize

[Verse 1] Plagiarize Let no one else's work evade your eyes Remember why the good Lord made your eyes So don't shade your eyes But plagiarize, plagiarize, plagiarize Only be sure always to call it please, "research"

[Chorus] And ever since I meet this man My life is not the same And Nicolai Ivanovich Lobachevsky is his name Oy, Nicolai Ivanovich Lobach—

[Interlude] I am never forget the day I am given first original paper to write It was on analytic and algebraic topology Of locally Euclidean metrizations Of infinitely differentiable Riemannian manifolds

Боже мой

This I know, from nothing What I'm going to do I think of great Lobachevsky and get idea, haha

[Verse 2] I have a friend in Minsk Who has a friend in Pinsk Whose friend in Omsk Has friend in Tomsk With friend in Akmolinsk His friend in Alexandrovsk Has friend in Petropavlovsk Whose friend somehow is solving now The problem in Dnepropetrovsk And when his work is done Haha, begins the fun From Dnepropetrovsk to Petropavlovsk By way of Iliysk and over Novorossiysk To Alexandrovsk to Akmolinsk To Tomsk to Omsk To Pinsk to Minsk To me the news will run Yes, to me the news will run

[Verse 3] And then I write by morning, night And afternoon, and pretty soon My name in Dnepropetrovsk is cursed When he finds out I published first

[Chorus] And who made me a big success And brought me wealth and fame? Nicolai Ivanovich Lobachevsky is his name Oy, Nicolai Ivanovich Lobachev—

[Interlude] I am never forget the day my first book is published Every chapter I stole from somewhere else Index I copy from old Vladivostok telephone directory This book was sensational! Pravda—well, Pravda—Pravda said: "Жил-был король когда-то, при нём блоха жила”…it stinks But Izvestia! Izvestia said: "Я иду туда, куда сам царь идёт пешком”…it stinks Metro-Goldwyn-Moskva buys the movie rights for six million rubles Changing title to 'The Eternal Triangle' With Ingrid Bergman playing part of hypotenuse

[Chorus] And who deserves the credit? And who deserves the blame? Nicolai Ivanovich Lobachevsky is his name Oy

(Tom Lehrer put all of his work in the public domain prior to his passing. Find versions of his performances on YouTube.)

https://tomlehrersongs.com/disclaimer/


That sort of “smarter than thou” attitude resulted in the Republican victories in the Eisenhower/Stevenson US Presidential elections of 1952 and 1956. Maybe Nixon too, with the “silent majority”.

Superficially smart, smug, supercilious and (ironic, eh) emotionally satisfying…but ultimately very foolish.


Depends on how deep you want to climb down that rabbit hole. You can go all Rusty Shackleford if you’re a privacy enthusiast. It can be fun.

https://en.wikipedia.org/wiki/Tempest_%28codename%29


Hope they release their legacy audio IP in some reasonable format. Decades of Gardeners Question Time, In Our Time, I’m Sorry I Haven’t a Clue, Letter from America, Goon Show, etc. would make the perfect ambient background for housebound/bedridden listeners of a certain age, at home or in institutions. Practically ASMR.


A simple fix: direct the French to the wonders of jellyfish cuisine.

https://olasquid.com/en/delicious-jellyfish-dishes/


“you’ll see an “AI Persona” badge on an artist’s profile across the app if they do “not represent a real person.””

What about performers so outrageous they may not qualify as a “real person”? Say, Keith Richards? Or Ozzy Osborne? Is there some hazy intermediate category for such liminal artists?


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