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If your TV is rootable, you should root it! See: https://cani.rootmy.tv/

Haha, I know that stage by heart, and I've never been to San Francisco. I had no idea that's what it was modeled after!


Also love that level, but mostly because the song is such a banger


Newer models[1] are being trained in ways that prioritize coding and agentic performance over raw knowledge[2] such that they increasingly rely on external tools for accessing hard data and information.

[1] https://artificialanalysis.ai/evaluations/omniscience?models...

[2] https://old.reddit.com/r/LocalLLaMA/comments/1vt7l3e/qwen382...


> A dashboard like this one is designed to answer a bounded set of analytical questions ~ requests per day, requests per day for one agency, all-time totals by borough. Each question can be answered by GROUP BY queries, so we can precompute them all ahead of time and save each result as its own small table, called a grouping set. Stack all of the grouping sets in one Parquet file, one section per set, and you have a data cube. A grouping set is only useful if it either enables a question to be answered, or reduces the latency of pulling the data.

What's the benefit of "data cubes" over caching?


It's a good question. In a sense, the cube is caching, just materialized ahead of time instead of memoized on demand. A result cache still needs a live database behind it for misses; the cube has no misses, since every question the dashboard is designed to answer has data in the cube already. And for this experiment, the goal was to forgo a database to serve the data in the first place.

I provide caveats for when this would work vs. when it doesn't in the post. For a lot of customer-facing dashboards, I think it's probably pretty good.


Is that a Deepwater Horizon reference?


IANAL, but probably not, at least not in the United States. Under U.S. copyright law, the weights of machine learning models are excluded from copyright as they are the product of an automated optimization process (e.g., stochastic gradient descent, expectation maximization, genetic algorithms) rather than human authorship. Granted, this has yet to be fully tested in court and going to court is expensive, so it's likely that your employer would prefer to err on the side of caution and respect such attempts at model licensing anyway. Nonetheless, this was partially tested last year in Thaler v. Perlmutter which affirmed that copyright requires human authorship, reading the Copyright Act's provisions on ownership, duration, and transferability as presupposing a human author[1].

If you want to assess the position of the U.S. Copyright Office for yourself, the relevant text can be found in the Compendium of U.S. Copyright Office Practices § 313.2, "Works That Lack Human Authorship"[2], which states:

> […] the Copyright Act protects “original works of authorship.” 17 U.S.C. § 102(a) (emphasis added). To qualify as a work of “authorship” a work must be created by a human being. See Burrow-Giles Lithographic Co., 111 U.S. at 58. Works that do not satisfy this requirement are not copyrightable.

> […] the Office will not register works produced by a machine or mere mechanical process that operates randomly or automatically without any creative input or intervention from a human author. The crucial question is “whether the ‘work’ is basically one of human authorship, with the computer [or other device] merely being an assisting instrument, or whether the traditional elements of authorship in the work (literary, artistic, or musical expression or elements of selection, arrangement, etc.) were actually conceived and executed not by man but by a machine.” U.S. COPYRIGHT OFFICE, REPORT TO THE LIBRARIAN OF CONGRESS BY THE REGISTER OF COPYRIGHTS 5 (1965).

Oh, and there's also a bit in the following Section 313.3, "Works That Do Not Constitute Copyrightable Subject Matter"[2], which explicitly excludes mathematical principles, formulas, algorithms, and equations, along with DNA sequences and other genetic or chemical compounds, regardless of whether they are produced by humans or by nature. If one takes the perspective that machine learning models are algorithms, the conclusions on copyrightability are pretty clear.

[1] https://media.cadc.uscourts.gov/opinions/docs/2025/03/23-523...

[2] https://www.copyright.gov/comp3/chap300/ch300-copyrightable-...


If your argument is true, what would make LLM weights not copyrightable, but compiled code copyrightable?


(IANAL), but the argument would be the same because how compiled code (binary data) is copyrightable but the code (binary data) of an image of a painting created by say a monkey itself with no human involvement isn't.

As such as they have mentioned in the argument, their argument is sound in terms of the level of human involvement in creation of the artifact.


These are the right questions. IANAL, but I am of the opinion that model weights are not copyrightable. See my sibling comment: https://news.ycombinator.com/item?id=49073127


It's worth noting that the weights of machine learning models are not subject to copyright in the United States as they are the product of an automated optimization process (e.g., stochastic gradient descent, expectation maximization, genetic algorithms) rather than human authorship. Granted, this has yet to be fully tested in court and going to court is expensive, so it's likely that your employer would prefer to err on the side of caution and respect such attempts at model licensing anyway. Nonetheless, this was partially tested last year in Thaler v. Perlmutter which affirmed that copyright requires human authorship, reading the Copyright Act's provisions on ownership, duration, and transferability as presupposing a human author[1].

If you want to assess the position of the U.S. Copyright Office for yourself, the relevant text can be found in the Compendium of U.S. Copyright Office Practices § 313.2, "Works That Lack Human Authorship"[2], which states:

> […] the Copyright Act protects “original works of authorship.” 17 U.S.C. § 102(a) (emphasis added). To qualify as a work of “authorship” a work must be created by a human being. See Burrow-Giles Lithographic Co., 111 U.S. at 58. Works that do not satisfy this requirement are not copyrightable.

> […] the Office will not register works produced by a machine or mere mechanical process that operates randomly or automatically without any creative input or intervention from a human author. The crucial question is “whether the ‘work’ is basically one of human authorship, with the computer [or other device] merely being an assisting instrument, or whether the traditional elements of authorship in the work (literary, artistic, or musical expression or elements of selection, arrangement, etc.) were actually conceived and executed not by man but by a machine.” U.S. COPYRIGHT OFFICE, REPORT TO THE LIBRARIAN OF CONGRESS BY THE REGISTER OF COPYRIGHTS 5 (1965).

Oh, and there's also a bit in the following Section 313.3, "Works That Do Not Constitute Copyrightable Subject Matter"[2], which explicitly excludes mathematical principles, formulas, algorithms, and equations, along with DNA sequences and other genetic or chemical compounds, regardless of whether they are produced by humans or by nature. If one takes the perspective that machine learning models are algorithms, the conclusions on copyrightability are pretty clear.

[1] https://media.cadc.uscourts.gov/opinions/docs/2025/03/23-523...

[2] https://www.copyright.gov/comp3/chap300/ch300-copyrightable-...


I'm pretty sure that's the same project.


A bar in my Italian family's hometown sells beers for one or two Euros a pop. The gelateria down the street charges a bit more for ice cream, though.


€4 will maybe get you a glass/ladies' pint here in Ireland smh


Italy is a very economically diverse place. I haven't seen anyone sell beer at 2 euro a glass in two decades in my corner of Italy. The beers I was drinking last night were €5 or €6 (small northern city)


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